Playwright and director Ahmed El Attar explores the evolution of the Egyptian independent theater movement, tracing its roots from the 1990s counterculture to its role as a precursor for social change. He discusses the crisis of state-run institutions in the Arab world, marked by bureaucracy, censorship, and a disconnect from contemporary audiences. Through his own work, such as "The Discrete Charm of the Pillars of Society", El Attar examines the universal power structures of the family and challenges notions of Western superiority by revealing shared human greed and prejudice.
Playwright and director Ahmed El Attar explores the evolution of the Egyptian independent theater movement, tracing its roots from the 1990s counterculture to its role as a precursor for social change. He discusses the crisis of state-run institutions in the Arab world, marked by bureaucracy, censorship, and a disconnect from contemporary audiences. Through his own work, such as "The Discrete Charm of the Pillars of Society", El Attar examines the universal power structures of the family and challenges notions of Western superiority by revealing shared human greed and prejudice.
0:00 Introduction
1:56 Theater Education and Training in Egypt
4:01 Egypt's Unique Theater Scene and Audience
5:17 The Regional Crisis in Theater and Formal Training
7:16 Diagnosing the Crisis: Red Tape and Lack of Funding
9:53 The Vital Importance of Live Performance
11:52 Theater vs. Film & TV
12:51 History of Egypt’s 1990s Independent Theater Scene
14:52 The State Sector: Programming, Payroll, and Bureaucracy
17:40 Decline of State Theater and the Rise of Visionary Adaptations
20:18 Counterculture Pushback Against Archaic Institutions
22:20 Genesis of the Temple Independent Theater Company
24:11 University Facilities and Real-World Technical Experience
27:40 The Life Cycle of Independent Movements and Social Change
30:46 Focusing on the Family Power Structure
32:51 The Artistic Evolution of Subtext and Early Plays
36:21 Identifying and Reaching the Egyptian Audience
38:55 Must-Watch Arab Theater Makers and Playwrights
42:07 The Rise of Contemporary Dance in the Arab World
43:01 Theater's Ephemeral Nature vs. Digital Recording
44:47 Genesis of "The Discreet Charm of the Pillars of Society"
45:42 Challenging Notions of Western Civilizational Superiority
47:16 Shared Human Weakness: Greed, Prejudice, and Racism
50:12 Actor Training: Expanding Horizons and Embracing Humility
An award-winning Egyptian independent theatre director, translator, playwright and cultural manager. He is founder and General Manager of Studio Emad Eddin Foundation, an organization that offers rehearsals and training spaces to independent artists in the field of performing arts in Egypt. El Attar is also the founder and the artistic director of Orient Productions, the Temple Independent Theatre Company and D-CAF (Downtown Contemporary Arts Festival). He is also the artistic director of the Falaki theatre in Cairo. El Attar has a BA in Theatre from the American University in Cairo (1992) and an MA in Arts and Cultural Management from Paris III Sorbonne Nouvelle (2001).